A Shot in the Dark

I made a perfect picture tonight but no one will get to see it. I was out shooting with my Koni-Omega, with two backs, one loaded with Fuji 400H and the other with Acros. I was walking around the neighborhood, starting with the 400H. I ended up over by the river just at sunset, and there was a nice glow on the water under the Longfellow bridge, so I took a couple of shots there, one on each side. Then I walked around over to the MIT campus, thinking I might see something to do with the Stata Center, the Frank Gehry monstrosity that replaced the legendary Building 20.

So I’m looking around the backside, and a security guard walking by asks me if I was getting any good pictures. I said, eh, and he started going on about the moon and how it would nice to have a picture of the moon with the trees there. Now this in itself is sort of an odd response; normal security guard procedure is to hassle anyone with a camera. But this guy actually offers to let me in and find a good place to shoot from. As we’re heading to the door, I see a good shot. There’s a sort of round chrome structure with a pylonish thing behind it, and the moon is over them. It’s getting dark but there’s nice reflections from the chrome. So I decide to set up right there.

Now comes the fatal mistake. I decide to switch backs. Acros is good for long exposures, hardly any reciprocity failure. The guy is chatting about how he’d taken this nice panoramic sunset photo with his cell phone, and was surprised at how good it came out. I’ve got my tripod with me, explaining to the guy that the camera is old and requires some mechanical operation, but meanwhile I’ve skipped one key step. After switching the backs, I forget to pull the dark slide.

Now, as long as there have been cameras with dark slides, there have been photographers forgetting to pull them out. One of the reasons I like to use mechanical nonautomated equipment is that I have to rely on my brain, to make all the decisions about how the shot is going to come out. The downside to this is that I have to rely on my brain, to remember all the steps. As my wife knows, I’m especially prone to being distracted if I’m trying to do something while someone is talking to me. So Mr. Chatty is not actually doing me any favors here.

When I make a mistake like this I tend to curse a lot. It annoys me. I go and walk around for a couple of hours and come back with less than I’d set out to. Hardly a crisis, and neither the first or last time I’ll do something like that. Shoot without film in the camera? Done that. Switch the fixer and developer in the tank? Yep. Hit the light switch before shutting the box of paper? Check. And on and on. The only consolation I have in this case is that the K-O is supposed to have a interlock the prevents the shutter firing if the dark slide is in place (the designers knew about people like me 50 years ago). It would seem that this is not completely failsafe. If the dark slide is out even a tiny bit, it doesn’t lock.

Maybe I need to make a checklist and tape it to my camera bag. I mean, if checklists can work for pilots and doctors and nurses, in situations that really matter, then surely the help me avoid stupid errors. I know we’re supposed to learn from our mistakes, but I don’t necessarily want to have that sort of learning experience every time I go out.

 

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One response to “A Shot in the Dark

  1. Ouch! It’s funny how sometimes we just get to keep our best shots in our minds.
    I’m more prone to forgetting to wind on and making double exposures, not the kind that look good, just double exposures…

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